This blog post is part 2 of my recent travels around Italy. You can read the first part 'Food & Wine in Napoli & Pompei' here. But for now, let's start with the second half of my tour...
I take the train from Pompei to Salerno and change for the regional train heading south. Maria Sarnataro picks me up at the station at Vallo di Lucania. We arrive at her home just in time for dinner.
She has a surprise for me, a manteca.
It’s butter encased in caciocavallo cheese and it has a story. The people of Basilicata who take their Podolica breed of cattle to alpine pastures for the summer make caciocavallo which they mature until they descend to the valleys in autumn where they sell it. They make ricotta from the whey, but there’s too much for them to consume fresh. It can’t be kept for more than a few days and there's nowhere to sell it. So, by an ingenious and complex process of draining, heating and cooling, they extract the butterfat from the ricotta.
To conserve the butter without refrigeration they encase it in a thin layer of caciocavallo curd. Piero, Maria’s husband, is an agronomist. Part payment for his consultancy with these people was this manteca.
There are so many mozzarella dairies in Salerno Province that you could spend several weeks visiting all of them. There are two that I’ve heard excellent reports of and haven’t managed to visit: Barlotti and Vannulo. Vannulo is organic, only sells from their own shop at the dairy and often comes at the top on lists of the 10 best mozzarellas. Maria has booked lunch there. On the way we stop at Barlotti where she introduces me to brothers Enzo and Gaetano Barlotti.
We eagerly accept Enzo’s invitation to bring the participants on our mozzarella courses for a tasting. You taste so much bad mozzarella everywhere else that we need to educate our palates while here.
He presents us with samples of his bocconcini, ricotta and a new brie-style cheese, all made with the milk of their own buffalo herd. The mozzarella and ricotta are among the best I’ve tasted. The ‘brie’ is a little bitter and needs some work, but it’s exciting that they’re experimenting with new cheeses.
Many of the mozzarella dairies offer tastings in beautiful settings and some have a dining room where you can sit down to a multi-course lunch. Vannulo has perfected the tourist experience, which as you probably know by now, puts me right off. Maria is a friend of the owners, but they don’t welcome us when we arrive, and are nowhere to be seen. Maria tells me that it used to be different, but now it’s all hired staff, who display not an ounce (not even a gram) of passion for their products. Our vegetable salad from their organic garden is good, the mozzarella not outstanding. They’ve installed a leather workshop which sells their own handbags, etc, but they take no interest in us visitors. The museum of agricultural implements is marginally interesting, but I’ve been to better ones. If you come on the mozzarella course, you won’t be visiting Vannulo on our tasting afternoon.
Francesca Fiasco’s vineyard at Felitto couldn’t be further from a tourist experience. The only sign on the road is Francesca herself waiting to show Maria and me her vineyards and cantina (cellar). She exudes passion and authenticity and does virtually all the work herself right down to designing the labels.
She cultivates autochthonous varieties such as fiano, aglianico and piedirosso (the one I saw at Pompei) as well as varieties such as sangiovese and merlot, which arrived in the area so long ago that they are included in the DOC.
She produced her first wine in 2016 and is already being recognised by wine critics. She gave me a case of wine with a handwritten label. Sadly, I couldn’t carry it back to Lucca on the train. I know Maria will make good use of it. She not only teaches cheese courses, but also sommelier courses.
Just so you know my trip isn’t all hard work eating and drinking, this morning Maria takes me to her favourite secluded beach, fairly free of tourists (especially in these times of Covid-19).
You have to go a long way to find gelato as good as Mirko Tognetti's of the Cremeria Opera at Lucca. Here I am at Sapri in southern Campania enjoying Enzo Crivella’s latest creation which he’s describing animatedly.
They sound an unlikely combination, but it works. Try it! You have to make a perfectly balanced bread gelato. Maybe best to come on Mirko’s and my gelato course first! 😃
That marks the end of my tour. I'd love to welcome you onto one of our tours or courses soon. Take a look at our website to find out dates and details and get in touch with me to book your spot. I look forward to seeing you!
Enea is one of the cheesemakers to whom I take my guests.
He lives on a farm at the end of a dirt road that runs along the top of a ridge. At the point where the tarmac runs out, there’s a vineyard. Bumping slowly along the rutted road you pass a house, then nothing for 10 minutes. As the nose of the ridge begins to dip toward the valley, you spy a ramshackle house with solar panels on the roof. If you come in July, you’ll think you’ve arrived at a farm machine museum until you see Enea putting his heritage wheat through the vintage thresher.
Enea and his wife Valeria are nearly self-sufficient. They have a herd of goats, two cows, a few chickens, a couple of horses, a vegetable garden, an olive grove and fields of cereals and hay. They’re hoping for another cow.
During the spring and summer Enea milks the goats every morning, makes cheese with their milk and then, with the help of his working dogs, takes them out to graze. The dogs are tri-lingual. I don’t think the goats are. On days when we’re there and he doesn’t go out with them in the morning, their complaints are perfectly comprehensible nonetheless.
On Wednesdays he makes sourdough bread. His bread shed contains a wood-fired oven and a tiny mill where he grinds enough of his heritage wheat for the week’s batch of bread. On Wednesday evenings he goes to town to deliver his produce to a group of friends who buy collectively
They’re self-sufficient for art and music too. Valeria paints and Enea plays the guitar. The solar panels and batteries keep them in touch with the outside world via their cell phones, computer and internet connection.
One of the guests in the last group I took there asked Enea why he chose to make cheese. He told us this story:
‘When I finished school, I knew I didn’t want to go to university, but I didn’t know what I wanted to do. I enjoyed helping a friend pick his olives. Then I rented an apartment from a cheesemaker with goats. He was French and made French-style soft goat cheese. I watched him and began to help him. I saw he was always smiling, and I decided that was the life I wanted.’
Enea is one of the cheesemakers who teaches our course Theory and Practice of Italian Cheese. Click here for all the details.
This is a true story about how cheese, history and a mountain village are inextricably entwined. It’s a long story because it goes back to Roman times. It has taken me 12 years even to begin to understand it.
You probably know that pecorino is an Italian cheese made from sheep’s milk, derived from the word for sheep: pecora. On the contrary, it’s the rare person outside Italy who knows that transhumance refers to the seasonal rotation of flocks and herds between different pastures. Even more obscure is the connection between transhumance and Saint Michael Archangel.
On 18 June a group of about 15 hikers, including me, stand expectantly in front of the church in the mountain village of Raggiolo, one of ‘The most beautiful towns in Italy’ (http://borghipiubelliditalia.it/project/raggiolo/).
We aren’t waiting for the Archangel, but for our guide Paolo Schiatti to lead us along an ancient transhumance route to a former shepherd’s hut on the crest of the mountain above Raggiolo where we get to watch pecorino and ricotta making and have a shepherd’s lunch. I’ve watched many shepherds make cheese, and I wonder whether here near Pratomagno in the Casentino (east of Florence) they make it in the same way as in the Garfagnana.
We learn from Paolo that the patron saint of shepherds is Saint Michael Archangel, but in Roman times the half-god, half-human Hercules was the favourite of pastoralists. According to Roman mythology he slew the fire-breathing monster Cacus who stole some of the cattle which he himself had stolen and was pasturing near Cacus’s cave. By one of those frequent transpositions of early Christianity, Hercules became the Archangel. In the New Testament Saint Michael defeats Satan to become a protector against the forces of evil.
Two feast days a year are devoted to the Archangel: 8 May and 29 September. In early May the shepherds took their flocks up to the alpine pastures. At the end of September they brought them down. From early mediaeval times they built shrines to Saint Michael along the transhumance routes. In the days when they wintered on the Maremma, the coastal plain of Tuscany, it took a whole week to walk to the alpine pastures above Raggiolo. We’re lucky we only have a 3-hour walk ahead of us, and no sheep.
The conversation about the Archangel might seem a distraction to a secular cheese lover wanting to know how Tuscan pecorino is made. Yet in Italy food and history are two facets of a common culture. The past spices the cuisine of today, and you can taste the difference between an industrial product made according to scientific principles and a traditional product made according to practices handed down through the generations.
Paolo’s way of encouraging us is to say, ‘Siamo arrivati’ (we’ve arrived) when we still have over an hour of the steepest part of the trail to go. At around 1000 m (3280 ft) we pass suddenly from the chestnut wood into a beech forest. The muffled silence might remind you of a sanctuary. To me it seems dead compared to the luxuriant undergrowth of a chestnut wood.
Casetta di Bùite
I always tell my guests that cheese waits for no man or woman. We’ve dallied too long. The cheesemakers, Angelo and Dino Luddi, have already added the rennet to coagulate the curd. Nowadays they use veal rennet which they buy from the pharmacy. They don’t lament the change from lamb’s rennet which they prepared themselves from a lamb’s stomach, even though the pecorino is less piquant.
They cut the curd using a wooden spino, an implement of the past. They use it not out of nostalgia but because it works well for the type of hard paste cheese they’re making. If there’s something modern that works better or is more convenient, they’re quick to adopt it, like the veal rennet. The past isn’t a prison.
Dino’s job is pressing as much whey as possible from the curd.
As we explain during our cheese course, in Italy where it was born, ricotta is NOT cheese. That’s official. It’s a dairy product. The casein proteins and much of the fat in the milk go into the cheese. The main protein left in the whey is albumin. The protein in egg white is also albumin. When you cook egg white, it solidifies, and that’s what happens to the albumin in whey when it gets to about 90˚C (194˚F).
With two large pots of whey to heat, this is going to take a little while. We suddenly realise we’re starving, and wander off to find some lunch. The courses are ready in random order stretched out over three hours. Actually, most Tuscan Sunday lunches last this long. What I take to be antipasto consists of panini of prosciutto and salami with two wedges of pecorino on the side, all excellent. The pecorino has been supplied by Modesto Giovannuzzi. He tells me the sheep are at Castel Focognano (near Bibbiena), but doesn’t volunteer who made the cheese.
I buy a wheel for the pecorino tournament at the end of our cheese course.
I check in with the ricotta. It hasn’t begun forming yet, but Angelo is adding some milk to the pot. I object that traditional ricotta shouldn’t have milk added. He agrees. He’s doing it to increase the yield for the big crowd today. He adds quietly,’The ricotta is much finer and smoother with nothing added to the whey.’ He moves over to salt the upper side of the pecorino.
Besides adding flavour, the salt slows down the lactic acid bacteria so the cheese doesn’t become too acidic and also helps draw whey out of the cheese—essential if you want to mature it for several months.
Around the corner of the hut, Modesto and his son Andrea are now busy making polenta dolce, a porridge made with chestnut flour instead of cornmeal. It saved the people of the mountains, the Garfagnana as well Pratomagno, from starvation during the Second World War. Some people never want to eat it again, but for most it’s the ultimate comfort food.
Drying the chestnuts, shelling them, sorting them and milling them is a winter occupation. You collect them after you’ve made your wine and before you begin harvesting your olives. In the days when the olive harvest took place at the end of November or even in December, your chestnut flour was already safely stowed in its chestnut-wood chests.
A sudden commotion back around the corner signals that the ricotta strands are forming.
Someone asks what the yield of ricotta is. Angelo doesn’t know, and I reply that for sheep’s milk it’s about 1.5%, but only half that for cow’s milk. Angelo says to me, almost accusingly, ‘You know the science, but we know the practice.’ He’s right. You could read every book about cheese and still not be able to make good cheese and ricotta. It’s the experience that counts, going back to your mother, uncle, grandmother, great-grandfather, and right back to your Roman ancestors and Hercules.
You could fill a small cookbook with the Tuscan recipes for stale bread: zuppa, panzanella, pappa al pomodoro, aqua cotta to name just a few; and scottina, a shepherd’s dish. After skimming off the ricotta, the remaining liquid is called scotta. Around me it’s mostly fed to the farm animals, although some people say it’s a refreshing drink and a good broth for soup. To make scottina, you leave some of the ricotta in the scotta and ladle it over the bread.
As we descend Paolo has an answer to every question I can throw at him and more. He tells me about how they preserved the chestnut flour by packing it into chestnut-wood chests to exclude the air. It was so tightly packed that you could cut it into blocks with a knife to take out the amount you needed. By summer it was a bit tired. To refresh it, they put it in a wood-fired oven until it turned dark brown and had an entirely different flavour. The conversation wanders to art history, politics, the problem of depopulation of rural villages like theirs and mine. Most people in the group have something to contribute. They own their history in a way I’ve never encountered outside Italy. Thank you Raggiolo for a thoroughly enjoyable and illuminating day.
You can learn about Tuscan cheese and experience for yourself our cheesemakers’ strong sense of their history on our Theory & Practice of Italian Cheese course: https://www.sapori-e-saperi.com/theory--practice-of-italian-cheese.html
At the end of my Theory & Practice of Italian Cheese course, I organise a little game: an England vs Italy sheep’s milk cheese tournament.
This entails a trip back to the UK immediately before the course to go to Neal’s Yard Dairywhere I can always find a few excellent sheep cheeses. For the May course I did my shopping instead at the annual Artisan Cheese Fair at the old Cattle Market in Melton Mowbray. Although in its fifth year, I had never heard of it, but being featured by the Specialist Cheesemakers Association, I figured it would be worth the trip to Leicestershire, a direct train journey from Cambridge on the line to Birmingham, from where my friend Amanda joined me.
It’s also one of the counties, along with Derbyshire and Nottinghamshire, in which Stilton is allowed to be made. (Stilton, like Parmigiano Reggiano, is a registered product with a Protected Designation of Origin.)
Unlike the market in Cambridge, which is today a ‘cattle market’ in name only, the one at Melton Mowbray still functions every Tuesday morning. I make a resolution to come back to witness the livestock auction.
Turning to the entrance to the cheese fair opposite, we find the entrance fee is only £2 and admits you not only to the area populated with vendors’ stalls, but also to a series of cheese classes and tastings.
The Red Poll Cattle Society was founded with the aim of preserving this versatile native breed. They note the long lactation period and ideal composition of the milk for cheesemaking.
The British Isles are a land of cattle. Sheep these days are reared for meat, and it’s harder than I expected to find sheep’s milk cheese. These people from Canterbury can’t offer any.
Amanda has served me excellent goat’s milk cheeses made by Pete Humphries of White Lake Cheeses in Shepton Mallet, Somerset, heart of cheddar country.
At the far end of his stall, I glimpse a label saying ‘No Name Sheep Cheese’. He’s begun experimenting with sheep’s milk and this cheese is so new that he hasn’t come up with a name yet.
It’s a bit young to compete with the mature pecorinos in the Italian team, but I hope it will make up in youthful energy for what it lacks in experience.
Sharing a corner stall are two outstanding talents of British cheese, Jamie Montgomery who makes arguably the best cheddar in Britain, and Joe Schneider who makes Stichelton.
Amanda and I found the farm on the Welbeck Estate in Nottinghamshire for Joe and Randolph Hodgson of Neal’s Yard Dairy when they were setting up the dairy to produce what they expected to call ‘raw milk Stilton’, a return to how Stilton was made for centuries. However, due to an anomaly in the PDO definition of Stilton, it can only be made with pasteurised milk. One of the Dairy’s customers suggested Stichelton, an early name for the village of Stilton. Joe welcomed us to the stall and gave us a good chunk of this incomparable cheese to take home. Notice in the photo that the Stichelton isn’t excessively blue. The flavour of the blue mould doesn’t kill the flavour of the cheese.
In search of two more sheep cheeses we crossed to another pavilion, passing a ukulele band and an artful display of Quickes Traditional Cheddar.
Right at the entrance was the stall I needed. Carlow Farmhouse Cheese had brought several mature sheep’s milk cheeses to the fair. They don’t have their own website, and this one only admits to cow’s milk cheese.
Their cheesemaker, Nadja, guided us through her samples. It was hard to choose, but I finally took some ‘pecorino-style’ and ‘cheddar-style’.
Business done, we threaded our way through the crowds to a promising-looking pork pie stall. The pies were obviously raised by hand.
The pastry is made by mixing hot melted lard with flour. It has to be exactly the right temperature to form it around the wooden moulds (see photo above)—not so hot that it burns your hands and not so cold that it cracks.
The baker himself sells us our pie. He reminds me of my Italian artisan food producers when he talks about the natural ingredients he uses: the flour from a nearby windmill, pigs from a local farm and pig’s-foot jelly he makes himself. He’s sold 300 pies this morning and will be off soon to make another 300 for the next day’s fair.
With a glass of incredibly strong cider, we settle down to lunch. I used to make pork pies myself, but these pies beat even my best. The crust was crunchy, the filling tasted like pork (not overpowered by spices and preservatives) and the jelly was well seasoned and firm without being rubbery.
Melton Mowbray is a pretty market town, but even without its other attractions, it would be worth a pilgrimage for the King’s Road Bakery pork pies alone.
Italy is usually the clear winner of the pecorino match, but this time Ireland came out top in the opinion of our maestro Giancarlo Russo, a judge in international cheese competitions. Young ‘No Name’ was a big hit too with several of the course participants.
The cheese course group arrived 45 minutes late at Daniela’s dairy. She had already added the rennet, the enzyme that speeds up coagulation of the curd, to have the curd ready for our planned arrival time. Now it was past its best. We feared we’d ruined her day’s production of cheese. Daniela’s youthful appearance belies years of experience making cheese. She knew the curd couldn’t be used to make a hard cheese to be matured for several months, so we used it to make some soft cheeses: stracchino and raviggiolo.
I first went to visit Daniela Pagliai at her organic farm I Taufi early last June. I had learned about it from the address on the wrapping of some exceptional butter I’d come across at a gastronomia in Ponte a Moriano near Lucca. The wrapping claimed the contents were ricotta, so I assumed Daniela also made cheese, and I warmed to a person who wasn’t uptight about precision labelling. (Not that ricotta is cheese, but you have to make cheese first and then use the whey to make ricotta.)
The address of the farm was Melo. I didn’t know Melo, but I’d been to the picture postcard town of Cutigliano from which you ascend the Pistoiese slopes of the Apennines, it seems like forever, to get to Melo.
What appears on the map to be at the edge of civilisation, turned out to be a hub of pastoral activities with Daniela at the centre. On this first meeting she appeared self-possessed, only mildly curious about my tours and calmly accepting of my request to bring clients to watch her make cheese, as if life often brought novelties to her door. A warm honesty flowed from her candid smile and guileless eyes.
She showed me her modern dairy, the maturing room and the cows in the barn.
Her younger daughter clung to her apron; the older one arrived home from school.
I was much more curious about her than she about me. In the dairy she had fondled a spino, the wooden stick traditionally used to cut curds, so I knew she respected tradition.
I asked diffidently whether the cows ever went outside, and was relieved to hear they still practise transhumance, taking the cows to alpine pastures a couple of hours’ walk above where we were now. The cows have to wait until school is out and the whole family can up stakes and move to their summer home. We went to see it without them.
On a shelf I noticed a slim book entitled Come le Stagioni: Daniela Pagliai (Like the Seasons), a biography of her written by a friend from Pistoia in the form of an interview. I bought a copy and learned she was practically born making cheese. During school holidays she and her dog herded her father’s sheep. By the time she was 14 she was in charge of the pigs and all the phases of cheesemaking on the family farm. At 16 she married Valter and discovered that his contribution to the marital economy was a herd of milk cows. She moved to her in-law’s farm and transferred her cheesemaking skills to cow’s milk. After five years she and Valter realised their dream of buying their own farm and becoming organic.
In the book she sums up her philosophy of life:
‘I think there are many types of “love” all led by the heart. Without its beating, there can be no beginning. I’m not talking only of the beating that pumps blood through our veins, but also the beating for our children, our parents, our house, our land, our work, which are all united in one thing: love.
‘How can I explain to you how much I love my life and my work? How can I make you understand what I feel for my children and my husband? For nothing else in the world and no other life in the world would I change my own life and these loves.
‘For me life is like the seasons: moments of joy are like the flowers and perfumes of spring and like the ripening of its fruit and the embrace of the hot summer sun. Moments of melancholy are like the autumn with its rain, which sometimes also streams from my eyes, and like the winter, because you have to move with the rhythm of the snow, delicately placing your feet like the large snowflakes descending joyously from the sky, sprinkling the roof and our valley, and walking, walking lightly, toward a new spring.’
There was still snow on the ground when I took Giancarlo Russo to visit Daniela in preparation for our new cheese course.
He approved, and Daniela became part of the course in which Giancarlo teaches the theoretical sessions.
For more information about the Theory and Practice of Italian Cheese course: http://www.sapori-e-saperi.com/courses_with_artisan/theory-practice-of-italian-cheese/
My thanks to Kirby Piazza for his photographs of Daniela and the farm.
At noon on Wednesday 9 April in Florence, Dr Francesca Camilli of the Italian National Research Council will present a paper to the 1st European UNESCO-SCBD* Conference on ‘Linking Biological and Cultural Diversity in Europe’. Her paper is entitled: ‘The Garfagnana Model: exploitation of agricultural and cultural biodiversity for sustainable local development’.
One of her prime examples will be Cerasa farm, a mountain paradise which is no secret to my clients who have written rapturously about their visits (here, here, here, and here May 2012). Mario, Gemma and their daughter Ombretta are a fundamental part of a project, overseen by the Germplasm Bank set up by the Comunità Montagna della Garfagnana (now the Unione dei Comuni), to preserve the indigenous Garfagnina Bianca sheep.
If you’ve noticed some sheep lurking in the foreground of a nativity scene by Giotto, it could have been this breed, which was once common in the Apennine Mountains.
Mario and the dogs look after the sheep.
Gemma makes pecorino cheese and ricotta from their milk.
Ombretta dyes their wool with natural dyes and has them knitted and woven into saleable products.
Mario rears rams to sell to other farmers who want to join him in preserving the breed.
Another strand of the Germplasm Bank project is the botanical station at Camporgiano. They have rescued dozens of indigenous varieties of fruit and vegetables. Besides being grown at the station, each variety has been entrusted to a custodian, a local farmer responsible for its propagation and preservation. I visited the station last year where the Director Dr Fabiana Fiorani explained their work.
In 2013 the Garfagnana submitted several apple varieties to the European Pomological Exhibition at Limoges where it gained the distinction of ‘Custodian of Biodiversity’.
Watch this space for the announcement that I can take you to the botanical station followed by a visit to one of the custodians and lunch in their home. The next opportunity to visit Cerasa is during the Cheese, Bread & Honey tour in June.
The UNESCO conference lasts for three days, during which dozens of international experts deliver research papers. It could be a big yawn, but judging by some of the titles, I for one would be awake. For example, a paper by J. J. Boersma of Leiden University is intriguingly titled ‘Could the rewilding of Europe be seen as progress?’, with the implication that the answer is ‘yes’. To me the most interesting theme is that biodiversity of domesticated plants and animals appears closely connected to cultural diversity arising from the traditions and identity of a place. Finding the balance between tradition and modernity may be the virtuous path to sustainable rural development.
The mere fact of an international conference organised by UNESCO on the topic of biodiversity and sustainable development raises hope that the planet will not be entirely subjugated to the interests of agri-business. A more local, but equally important action took place yesterday, also in Florence, when Slow Food organised a demonstration against the introduction of GM corn in Italy. Fingers crossed!
Find out more: Joint Programme Between UNESCO and CBD, Convention on Biological Diversity, Linking Biological and Cultural Diversity in Europe Conference programme, Les Croqueurs de Pomme
*Secretariat of the Convention on Biological Diversity, based in Montreal, Canada
Participants on our Advanced Salumi Course taste a vast array of salami, prosciutto, capocollo, soppressata and other cured pork delicacies, some not so delicate. For dinner they get to try other typical dishes of the areas where the course takes place. On our first night we’re in Versilia, the northern coast of Tuscany. Gabriella Lazzarini, one of my cooking teachers and a skilled chef, lives here near Viareggio and invites us to her home for a seafood meal, which is one of the highlights of the course.
Not only is it special eating in a private home, but Gabriella’s repertoire of local recipes is exceptional. She buys fish from the small family fishing boats called pescherecci that bring their catches to the molo (quai) in Viareggio. They fish off the rocks close to the coast, and the fish look strange to people who are used to seeing branzino (sea bass), orata (gilt-head bream), tuna and other large, usually farmed or endangered species served in most of the seafood restaurants here.
You don’t have to enrol in the salumi course to eat at Gabriella’s home. All Sapori e Saperi Adventure’s guests can choose a meal with her as one of their activities.
The other unique dining experience is on Saturday night after we’ve moved east over the Alpi Apuane to Castelnuovo di Garfagnana. We go to the Osteria Il Vecchio Mulino where our host is Andrea Bertucci, who is known affectionately as ‘Andreone’, which means ‘big Andrea’.
You can see that the love of his life is food. But Andrea doesn’t cook; in fact, his osteria doesn’t even have a kitchen. Andrea is a food collector. He finds the best products in the Garfagnana, and sometimes further afield, which he serves as a tasting menu. The nearest analogy is a tapas bar, but his place is more like a hybrid of a corner grocery, wine bar and a cheese and salami maturing cellar.
Since the menu depends on his latest finds, there are always surprises. In his tiny oven, not a microwave, he heats crostini and savoury tarts.
There’s usually a salumi board, but I suspect we’ll be salumied-out on the course and ask him for alternatives. On a two-burner electric hot plate he warms up local specialities prepared by his mother or friends. This time it’s polenta formenton otto-file, an heirloom variety of corn, with roe deer ragù.
Every time we thank Andrea and say we must leave, he produces another goodie: cinta senese salami, cured roe deer loin, fruit salad he made that very day, 15 February, which is San Faustino’s Day, the patron saint of singles. I’ve checked on Google and it’s true!
On the last day of October Unprocessed I’ve just bought a perfect example.
The butter is made on an organic farm from cream of cows on the farm at Cutigliano (PT) and sold in a shop 44 km (27 mi) away in Ponte a Moriano (Lucca). Delicious, especially on my sourdough bread warm from the oven (organic flour from the Garfagnana, natural leavening, sea salt from Sicily, water from a spring above my village).
Yesterday I took three generations of women to Vitalina’s dairy to learn to make ricotta and then to Beatrice Salvi’s hotel for a lesson in baking a traditional Garfagnana ricotta pie.
You can’t make ricotta unless you make cheese first, so the added bonus was they learned to make goat’s milk cheese too. Before we arrived Vitalina had spent 2 hours milking 70 of her goats. She heated 60 litres of unpasteurised milk to blood temperature and added rennet. By the time we arrived, the milk proteins had coagulated to a gel and were ready for Liz, one of the guests of Sapori e Saperi, to have a go at cutting it to separate the curds and whey.
Vitalina showed Maggie and Abby how to gather the curd which turned out to be harder than they thought, but they had fun feeling around for the curd at the bottom of Vitalina’s grandfather’s tinned copper pot.
Vitalina learned from her grandfather and father and makes goat’s milk cheese and ricotta twice a day. After a little experience it’s really very easy.
Notice that the curd is white but the liquid in the pan is yellow. That’s the colour of whey. Now the ricotta lesson begins. Vitalina turns the burner on high to start ‘recooking’ the whey. Ricotta means recooked and it can only be made from the whey. That’s why you have to get all the cheese curds out before you can make it. And by the way, almost all the fat comes out with the curds. While the whey is heating up, Maggie helps Vitalina press the remaining whey out of the cheese and Vitalina adds the whey to the pot.
When the whey gets near boiling, the albumin protein molecules in the whey denature, which means they open up to expose their connection points so they can attach to other molecules to form white strands, just like when you boil an egg and the previously clear egg white turns to solid white. The white strands are ricotta. Luckily they float so you don’t have to plunge your arms into boiling whey. You just skim them off the top and layer them gently in the ricotta mould.
Vitalina gives us some warm ricotta to taste. Everyone exclaims in unison: ‘Delicious! It’s nothing like the ricotta we buy in the States. This is so much better.’ Since ricotta is virtually fat free, they’re also bewildered as to why in the States there are two types of ricotta: full fat and fat free. I’m bewildered too and cynically guess it’s a marketing ploy. If anyone knows the answer, please leave a comment.
Clutching our precious ricotta we go to lunch at L’Altana, my favourite restaurant in Barga. The cooking is excellent, but what I love about it is that the staff are equally good. One of our group is coeliac, and as soon as I tell our waitress, she goes off and comes back with a menu on which the items without gluten are marked. Since the menu changes daily, she’s done it specially for us.
Then we walk to Villa Moorings Hotel where the owner, Beatrice Salvi, teaches us to use our ricotta in the traditional Garfagnana torta squisita, which means ‘very delicious pie’. First we make pasta frolla, a sweet pastry made of flour, egg, sugar, baking powder and melted butter. It’s the basis of most pastry in our area. The eggs come from Beatrice’s father’s farm. The yolks are deep orange, nearly red, and the whites are yellow and thick.
The filling is made of ricotta, eggs, sugar, chocolate chips and a little Sassolino, an anise-flavoured liqueur. Goat ricotta is ideal for filling ravioli, but Beatrice and I were worried that it would be too strong for the pie, and Beatrice had bought some industrial cow ricotta just in case. Everyone tasted both of them except Beatrice. She said she didn’t like ricotta! I’m afraid I’m a bit of a bully when it comes to tasting, and finally she took a tiny spoonful of our goat ricotta. I wish I’d got a photo of the smile on her face. The industrial ricotta was a tasteless paste by comparison. We used our artisan ricotta, and the torta squisita, topped with a thin meringue, was truly delicious.
All winter I’ve been banned from taking clients to visit one of my favourite cheesemakers because they were rebuilding the dairy. When you arrived at the old dairy you entered a shabby sitting room with an old table in the centre, along one wall a lumpy sofa, usually occupied by one of the farm cats, and along another an old chestnut-wood sideboard. It was dingy, but welcoming. The walls were decorated with black-and-white photographs of the family, showing grandfather and his sons posed outside the barn, and a poster listing the cheeses they used to produce. Since granddad died, they’d narrowed the range to fresh pecorino and ricotta made from the milk of their 400 handsome black Massese sheep. The cheesemaking took place behind in a space no larger than a corridor. Four large gas burners sat on the floor on the right and a narrow stainless steel draining-shelf with an upturned rim was fixed to the white tiled wall on the left. Giuliana and her daughter-in-law Maria Rosa took turns making the pecorino in a large aluminium pot, warming the milk on a burner, cutting the curd with a wooden stick and bending almost double to gather up the chopped-up curd into a lump after it had sunk to the bottom of the pot. Although there was barely enough room to turn around, each pecorino-sized lump was put into a plastic mould on the stainless steel shelf behind to allow the whey to drain and run into a plastic bucket on the floor at the far end of the shelf. Then they’d make ricotta by reheating the whey in battered copper cauldrons on the same burners on the ground. It was back-breaking work, and I spent the winter imagining the new large, more convenient dairy with the burners at a more comfortable height and more space to move about in.
Today I went to see it. The front wall of the sitting room had been knocked down and replaced by a shop window. From the yard, I could see inside a chill counter filled with cheeses, and shelves affixed to the side walls stacked with honey, grappa and some kitsch stuffed animals. The photos had gone. A window had been inserted into the back wall of this new shop through which I glimpsed the enlarged dairy full of gleaming elephantine stainless-steel vats. Maria Rosa was standing at one on some portable steps, since the vat is too tall for her to operate from the ground. She beckoned me in and, as I entered, I realised she was peering intently at a thermometer immersed in the milk that filled the vat. I commented that I’d never seen her or Giuliana use a thermometer before. She explained that with this new container that heated the milk by circulating hot water in its double walls, she had lost her sense of the temperature.
While we waited for the milk to coagulate, she listed the benefits of the new system. Before they only had the capacity to make half their milk into cheese; they sold the other half which brought in less income than cheese. Besides that, now they have a larger temperature-controlled storeroom, and instead of selling all the pecorino fresh, they’ve started maturing some of it, which also adds value. Since they’re making more cheeses, they can branch out and reach new markets by flavouring the pecorino with walnuts, tomato, pepper, herbs and hay. I asked her whether she liked, for instance, the pecorino aged in hay. ‘No’, she admitted frankly. ‘It’s too dry’. But then added quickly, ‘Lots of people like it because they eat it with honey and jam’. During this conversation, Maria Rosa tested the curd four times to check whether it was ready to be cut. Previously the women had a sixth sense about when it was ready and only once had to test it a second time. When she finally decided it was ready, she pressed a button and a vertical frame strung with wires started to rotate inside the vat and cut the coagulated curd into small pieces. When she judged they were small enough, she hauled the free end of a large-diameter plastic hosepipe over to a two-metre square stainless steel box-table on legs and casters, which took up most of the centre of the room. She now pressed a red button on the vat and the cut curd and whey was pumped from the vat through the hosepipe into moulds in a frame in the box-table. She needed my help to redirect the awkward, heavy hosepipe to different areas. When all the curd was in the box, it had to be redistributed among the moulds which required wheeling the table away from the wall. Again it was too heavy for her to do on her own, as was the frame holding the moulds, which had to be lifted out after the moulds were full. Usually her daughter was around to help. I remembered when even old Giuliana could lift all the human-sized equipment by herself. Now Maria Rosa looked awkward as she worked, compared to the ease and grace she had displayed when working in the old cramped dairy. I observed that the new system seemed to distance her from the cheese so her senses were no longer in control, and she agreed. But she insisted that the flavour of the cheese is the same. When she gave me a taste, I didn’t tell her that it had a bitter taste that hadn’t been there before. And best of all, she assured me, Giuliana is glad not to have to make cheese any more.
When I had arrived, Giuliana was taking down the laundry. I’d greeted her and asked how things were going. She’d replied, ‘In somma’, which usually means ‘Could be better’.
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